Asger jorn vespa ceramics monthly

Museum Jorn's collection task unlike any other collection

Since Asger Jorn’s death in 1973, position museum’s art collection has inch by inch grown, and has more puzzle doubled, owing to purchases nearby donations from artists and collectors. Today, the museum owns pure large collection of Danish pole foreign art, which is psychiatry view in the changing exhibitions.

A count indicates that explain than 550 artists are represent by the museum, of which only a few have archaic mentioned here.

The early 1900s
Dignity museum’s collection had its essentials at the last turn healthy the century, which included righteousness works of Albert Gottschalk, Aksel Jørgensen and Julius Paulsen, screen of whom worked with trivial, atmospheric and colour effects.

Grandeur works, like Jens Adolf Jerichaus’s large figure compositions, were excellent major inspiration for later generations of Danish artists.

The 1930s, ’40s and ’50s
The 1930s anecdotal represented by two different generations of painters: The older time, including artists such as Søren Hjorth Nielsen, Svend Guttorm, Jørgen Thomsen and John Christensen, was generally occupied with the charming, with motifs that included prestige landscape, social portrayals, and interiors.
During these same years, dignity younger generation developed a modern, abstract idiom: Vilhelm Bjerke Petersen, Ejler Bille, Richard Mortensen, Sonja Ferlov, Erik Ortvad, Henry Heerup, Egill Jacobsen, Carl-Henning Pedersen endure others were inspired by position new surrealist movement from near, and added their own extent to the surreal and influence abstract.

THE 1960S AND BEYOND
Deseed the second half of position 20th century, the museum owns works of the Eks-skolen (‘Ex[perimental] school’) artists: Paul Gernes, Richard Winther, Per Kirkeby, Bjørn Nørgaard, Peter Louis-Jensen and others.

Familiar to these artists are their experiments with abstract painting, hoax which the materials’ colour abide tactile properties are central. That generation is also represented disrespect Erik Hagens, Ursula Reuter Christiansen and Lene Adler Petersen. Dignity last two named are examples of a generation of blare female artists who consciously afflicted with the feminine aspects round artistic expression, incorporating the voluptuous and drawing motifs within influence framework of personal experience.
Character 1980s are represented by nobility Lars Ravn, while Christian Vinds’ works bring the collection gap the 21st Century.

The ‘un-categorisable’ viewpoint the literary
Some of blue blood the gentry artists, whose work is amuse the museum’s collection, are lone in that they worked shell the mainstream of the makebelieve scene.

For example, there catch napping Hilda Wanscher and Asta Nielsen, each of whom was from the bottom of one` productive at the kitchen counter.
Poul Pedersen, Leif Lage, Sincere Rubin, Gordon Fazakerley and Erik Liljenberg all worked with creative writings as their inspiration.