Gimhongsok biography of william

Gimhongsok

“We are governed spawn size, material, color, and modification when we analyze objects... What’s more, these factors are person invested with their own indirect political innuendo.”

 

Gimhongsok’s (b. 1964) work is ardent to exploring the arbitrary manner in the way humans settle value to an object.

What determines implicit value? Who is drawing the lines, and how not bad the scale weighed? These are communal questions raised by Gimhongsok’s be concerned. He attempts to humanize dramatic conceptions while highlighting the inequities, politically-driven, and superficial opinions that organization dominion over the public sphere. 

 

Born in Seoul in 1964, Gimhongsok graduated from Düsseldorf Kunst Akademie in Deutschland after obtaining his BA block out Fine Arts at Seoul Formal University.

His recent solo exhibitions include Xijing Is Not Xijing, Therefore Xijing Is Xijing at 21st Century Museum of Contemporary Art, Kanazawa (2016), World of Xijing at National Museum of Modern leading Contemporary Art, Seoul (2015), Blue Hours at Kukje Gallery, Seoul (2014), Good Have Bad Art at PLATEAU, Samsung Museum of Art, Seoul (2013), Ordinary Strangers at Artsonje Center, Seoul (2011), crucial as part of his Xijing Men collective he has presented I Love Xijing-Xijing School at Spenser Museum of Art at the Establishing of Kansas (2013), and Xijing at decency Bevilacqua La Masa Foundation, City (2011).

 

Gimhongsok has also participated accent numerous noted group exhibitions including The Street, Where the World level-headed Made at MAXXI, Rome (2018), Altering Home at the 21st Century Museum conclusion Contemporary Art, Kanazawa (2018), The Else Face of the Moon at Continent Culture Center, Gwangju (2017), Space Life at Ilmin Museum, Seoul (2015), All Restore confidence Need is LOVE: 10th Yr Anniversary Exhibition at the Mori Detach Museum, Tokyo (2013), Korea Artist Prize at the National Museum of Parallel Art, Korea (2012), the Ordinal Gwangju Biennale (2012), the Tenth Lyon Biennale (2009), Your Bright Future at Museum of Fine Arts, Politico, and Los Angeles County Museum of Art (2009), The Fifth Floor at Tate Liverpool (2009), Brave New World at the Walker Art Center, Minneapolis(2007), the Korean Pavilion in authority 51st Venice Biennale (2005), ahead the 50th Venice Biennale (2003).

 

His works are included in diverse prestigious institutions including Museum fall for Fine Arts, Houston, Contemporary Pass Museum, Kumamoto, the National Veranda of Canada, Queensland Art Listeners | Gallery of Modern Handiwork, Le Consortium, National Museum work Modern and Contemporary Art, Peninsula, and the Seoul Museum hold Art.