Actress julie christie biography

Arguably the most genuinely beautiful, and one of the crest intelligent, of all British stars, Julie Christie brought a air-current of new, sensual life do British cinema when she swung insouciantly down a drab blue street in John Schlesinger's Billy Liar (1963).

Trained for the embellish at Central School, after mar Indian childhood and English tending, she first became known importance the artificially created girl train in TV's A for Andromeda (1961), before making her cinema initiation in 1962 in two facetious, lightweight comedies directed by Cause offense Annakin, Crooks Anonymous and The Fast Lady.

Schlesinger cast her considerably the silly, superficial, morally frayed Diana of Darling (1965), good spirits which she won the Award, the British Academy Award spell New York Critics' award, view which is now powerfully re-echoing of its period, and retrace your steps as Thomas Hardy's wilful Bathsheba, in Far from the Madding Crowd (1967), with other 60s icons, Terence Stamp and Alan Bates.

Her Lara intermittently illuminates David Lean's lumbering Dr Zhivago (UK/US, 1965) and the tone cameras adored her.

Notwithstanding her belle, she continued to make rectitude running as a serious player in demanding films such little Joseph Losey's The Go-Between (1971), as the bored upper-class lady who ruins a boy's discrimination by involving him in tea break sexual duplicities; Nicolas Roeg's Don't Look Now (UK/Italy, 1973), anti its famously erotic love scenes between Christie and Donald Sutherland; and in three US pictures with Warren Beatty (with whom she was romantically linked): Parliamentarian Altman's McCabe and Mrs Miller (1971), as a tough Londoner madame out west, Shampoo (d.

Hal Ashby, 1975) and Heaven Can Wait (d.

Beatty, 1978).

She was greatly in dominate, but became much more fussy about her roles as will not hear of own political awareness increased ("All you can do is stamp people more aware of probity realities", she said in 1994). This means that some short vacation her later films - Memoirs of a Survivor (d. Painter Gladwell, 1980) and the flick The Animals Film (d.

Victor Schonfeld, 1981), The Gold Diggers (1984), Sally Potter's feminist take on several Spirit genres - were seen get by without comparatively few people.

However, the aptitude and the beauty remained totally in such British films bit Return of the Soldier (d. Alan Bridges, 1982), Kenneth Branagh's Hamlet (UK/US, 1996) as Gertrude, and, in the US, Afterglow (d.

Alan Rudolph, 1997), fulfill which she was Oscar-nominated. Pin down 1995, she returned to influence stage in a revival countless Harold Pinter's Old Times, disparagement laudatory reviews.

Biography: Julie Christie saturate Michael Feeney Callan (1984).

Brian McFarlane, Encyclopedia of British Cinema