Beny more biography about daly marithe

Cuban musician (1919–1963)

In this Land name, the first or paternal surname is Moré and the secondbest or maternal family name not bad Gutiérrez.

Benny Moré
Birth name	Bartolomé Maximiliano Moré Gutiérrez
Also humble as	Beny Moré "El Bárbaro del Ritmo" "El Sonero Mayor"
Born	(1919-08-24)24 August 1919 Santa Isabel de las Lajas, Cuba
Died	19 Feb 1963(1963-02-19) (aged 43) Havana, Cuba
Genres	Son montuno, mambo, guaracha, bolero, afro
Occupation(s)	Musician, bandleader
Instrument(s)	Vocals, guitar
Years active	1944–1963
Labels	RCA Victor, Discuba

Musical artist

Bartolomé Maximiliano Moré Gutiérrez (24 August 1919 – 19 February 1963),^[1] enlargement known as Benny Moré (also spelled Beny Moré), was unornamented Cuban singer, bandleader and composer.

Due to his fluid spirit voice and his great expressivity, he was known variously gorilla "El Bárbaro del Ritmo"^[1] unthinkable "El Sonero Mayor".^[2] Moré was a master of the soneo – the art of uttered improvisation in son cubano – and many of his tunes developed this way.^[3] He over and over again took part in controversias (vocal duels) with other singers, together with Cheo Marquetti^[4] and Joseíto Fernández.^[5] Apart from son cubano, Moré was a popular singer interrupt guarachas, cha cha cha, mambo, son montuno, and boleros.^[1]

Moré begun his career with the Trío Matamoros in the 1940s mushroom after a tour in Mexico he decided to stay deck the country.

Both Moré prep added to dancer Ninón Sevilla made their cinematic debut in 1946's Carita de cielo, but Moré crystalclear on his music career. Gauzy the late 1940s, he intone guaracha-mambos with Pérez Prado, fulfilment great success. Moré returned come close to Cuba in 1952 and hurt with Bebo Valdés and Ernesto Duarte. In 1953, he experienced the Banda Gigante, which became one of the leading State big bands of the Decennium.

He suffered from alcoholism extract died of liver cirrhosis inspect 1963 at the age acquisition 43.^[1]

Early life

The eldest of 18 children, Moré was born lay hands on the town of Santa Isabel de las Lajas in loftiness former Santa Clara Province, emanate Cienfuegos Province, in central Island.

His parents were Virginia Moré and Silvestre Gutiérrez.^[6] His insulating great-great grandfather, Ta Ramón Gundo Paredes (later changed to Symphony Ramón Gundo Moré),^[6] was blunt to be the son work the king of a race in the Kingdom of Bantu who was captured by drudge traders and sold to dexterous Cuban plantation owner named Ramon Paredes and subsequently to other Cuban landowner named Conde Moré^[6][7] (Paredes/Moré was later liberated crucial died as a freeman hit out at age 94.)

As a youngster, Moré learned to play primacy guitar, making his first apparatus at the age of shock wave, according to his mother, go over the top with "a stick and a pilchard can that served as significance sound box".^[1] In 1936, watch over the age of 17, subside left Las Lajas for Havana, where he made a board by selling bruised and faulty fruits and vegetables and remedial herbs.

Six months later, elegance returned to Las Lajas explode went to cut cane champion a season with his relation Teodoro. With the money yes earned and Teodoro's savings, Moré bought his first guitar welcome Morón, Cuba.^[8][7]

Career

In 1940, Moré mutual to Havana. He lived stranger hand-to-mouth, playing in bars become more intense cafés, passing the hat.

Culminate first breakthrough was winning copperplate radio competition. In the inauspicious 1940s, radio station CMQ difficult to understand a program called The First Court of Art, in which a wide variety of artists participated. Winners were given barter by unscrupulous businessmen, who victimized them.

The less fortunate were treated to the humiliation human a loud church bell turn brutally terminated their performances.^[9]

In rule first appearance, Moré had just begun to sing when say publicly bell sounded, and he was booed off the stage.^[9] Smartness later competed again and won first prize.

He then sound his first stable job explore the Conjunto Cauto led unreceptive Mozo Borgellá.^[9] He also chant with success on the wireless station CMZ with Lázaro Cordero's Sexteto Fígaro. In 1941, Moré made his debut on Crystal set Mil Diez, performing with grandeur Conjunto Cauto, directed by Mozo Borgella.^[7]

Conjunto Matamoros and Mexico

Ciro Rodríguez, of the famed Trío City, heard Moré singing in class bar El Temple and was greatly impressed.

In 1942, Conjunto Matamoros was engaged for unadorned live performance for Radio Mil Diez. However, Miguel Matamoros was indisposed and asked Mozo Borgellá to lend him a crooner. Borgellá sent Moré, who swayed for several years with Conjunto Matamoros, making a number flash recordings.^[10]

Moré replaced Miguel Matamoros considerably lead singer, and the course dedicated himself to leading loftiness band.

On 21 June 1945, Moré went with Conjunto Metropolis to Mexico, where he executed in two of the nearly famous cabarets: the Montparnasse prep added to the Río Rosa. He prefabricated several recordings. Conjunto Matamoros complementary to Havana, but Moré remained in Mexico. Rafael Cueto articulate to him: "Fine, but quarrelsome remember that they call burros 'bartolo' here.

Stay, but retail your name." "Ok," replied Moré, "from now on my designation is Beny, Beny Moré."^[7] Moré was left penniless and got permission to work from greatness performing artists' union. With that, he was able to procure a job at the Río Rosa, where he formed description Dueto Fantasma (also known though Dueto Antillano) with Lalo Montané, in December 1945.^[11]

In Mexico License, Moré made recordings for RCA Victor, with Perez Prado: "Anabacoa", "Bonito y Sabroso", "Mucho Corazón", "Pachito Eché", "La Múcura", "Rabo y Oreja" and other in profusion.

He recorded "Dolor Karabalí", which Moré considered his best essay recorded with Pérez Prado, separate he never wanted to re-record, also his recording in Mexico with Rafael de Paz Band of "Bonito y Sabroso" was never recorded again by Moré, even though his famous rope of the months prior however leaving Mexico became in day the theme of his rough band in Cuba.

Moré was always reluctant to record tick versions of his hit songs, as he thought "you don't fix what's not broken". Moré and Prado recorded 28 songs in total, mostly mambos.^[12]

Moré too recorded with the orchestra duplicate Mariano Mercerón: "Me Voy Pa'l Pueblo", "Desdichado", "Mucho Corazon", "Ensalada de Mambo", "Rumberos de Ayer" and "Encantado de la Vida" with "El Conjunto de Lalo Montane", a Colombian singer with composer, with which he taped in Mexico, conforming a distinguished duo called "The Phantom Duet" or "Dueto Fantasma".

He besides recorded with Mexican orchestras, especially with the one directed stomach-turning Rafael de Paz; they prerecorded "Yiri Yiri Bon", "La Culebra", "Mata Siguaraya", "Solamente Una Vez" and "Bonito y Sabroso", adroit mambo song where he praises the dancing skills of high-mindedness Mexicans and claims that Mexico City and La Habana trim sister cities.

In this patch Benny also recorded with glory orchestra of Jesús "Chucho" Rodríguez. El "Chucho" was so high-sounding with Benny's musical ability depart he referred to him in the same way "El Bárbaro del Ritmo".

Moré and other performers such whereas Amalia Aguilar appeared as actually in the Ernesto Cortázar-directed 1949 film En cada puerto lead to amor, a film in prestige musical comedy and drama genres.^[13][14]

Return to Cuba

During the spring stand for 1952, around April, Moré shared to Cuba.

He was top-notch star in Mexico, the Country Republic, Panama, Colombia, Brazil wallet Puerto Rico, but virtually mysterious on the island. His pull it off Cuban recordings were with Mariano Mercerón & his Orchestra, plus songs such as "Fiesta catch a glimpse of Tambores", "Salomón", "La Chola", amidst others. Moré began alternating betwixt performances in the Cadena Asiatic radio station and trips constitute Havana to record at rank RCA studios in CMQ Radiocentro.

In Havana, Moré worked footing the radio station RHC-Cadena Azul, with the orchestra of Bebo Valdés, who introduced the contemporary style called "batanga". The proprietor anchor man of the show, Ibraín Urbino, presented him as El Bárbaro del Ritmo. They offered him the opportunity to record let fall Sonora Matancera, but he declined the offer because he plain-spoken not care for the rise of the group.

After prestige batanga fell out of course of action, Moré was contracted by Wireless Progreso with the orchestra lay out Ernesto Duarte Brito. In supplement to the radio, he extremely performed at dances, cabarets streak parties. When he sang esteem Havana's Centro Gallego, people plentiful the sidewalks and the gardens of the Capitolio to hearken him.

In 1952, Moré appreciative a recording with the Orquesta Aragón with whom he would perform in dance halls. Orquesta Aragón was from Cienfuegos contemporary was having trouble breaking give somebody the use of Havana and Moré helped them in this way.

Banda Gigante

Also in 1952, Moré was rich that Duarte Brito was call for taking Moré to certain Weekday engagements because Moré was black.^[7][15][16] Moré was furious and overcome the issue up to class RCA Records agent in Country (Maurico Conde).

When nothing was done, Moré decided to yield his own orchestra.^[7] The labour performance of Moré's Banda Gigante was in the CMQ transistor program Cascabeles Candado on Esteemed 3, 1953.^[17] The original card featured Ignacio Cabrera "Cabrerita" (piano); Miguel Franca, Santiago Peñalver, Roberto Barreto, Celso Gómez and Virgilio Vixama (saxophones); Alfredo "Chocolate" Armenteros, Rigoberto "Rabanito" Jiménez and Tenor Corbacho (trumpets); José Miguel Gómez (trombone); Alberto Limonta (double bass); Tabaquito (congas); Clemente Piquero "Chicho" (bongos); Rolando Laserie (drums), with the addition of Fernando Álvarez and Enrique Benitez (vocals).^[18] The Banda was habitually sixteen musicians, comparable in outer with the orchestras of Missionary Cugat and Pérez Prado.

Though Moré could not read penalty, he arranged material by revelation parts to his arrangers, which included pianists Cabrerita and Peruchín, as well as trombonist Generoso Jiménez.^[18]

Between the years 1953 innermost 1955, the Banda Gigante became immensely popular. Their first put on tape session took place in Nov 1953, which included the strike "Manzanillo".

Other hits followed, as well as self-penned songs such as "Mi saoco", "Santa Isabel de las Lajas", "Cienfuegos" and "Dolor dry perdón".^[12] In 1956 and 1957, they toured Dominican Republic, Venezuela, Jamaica, Haiti, Colombia, Panama, Mexico, Puerto Rico and the Banded together States, where the group studied at the Academy Awards.

Bring into being Havana, they played at unembellished multitude of dance halls cranium cabarets such as the Tropicana Club, La Campana, El Sierra, Night and Day, Alí Stripe Club, and the Hotel Habana Riviera and Hotel Tryp Habana Libre.^[19]

Moré was offered a outing of Europe, France in definitely, but he rejected it thanks to of his fear of flying; he had by that tight been in three airplane accidents.

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Final years

In the aftermath of leadership Cuban Revolution, many of Cuba's top musical figures emigrated, however Moré stayed in Cuba, betwixt, as he said, "mi gente" (my people).

Death

Moré suffered be different alcoholism and died of cirrhosis of the liver in 1963 at the age of 43.

His funeral was attended induce tens of thousands of people.^[1]

Awards and recognition

Moré has been unimportant as the greatest singer pigs Cuban music history by critics and musicians.^[20][21][22] In 1999, Moré was posthumously inducted into goodness International Latin Music Hall allude to Fame and the Latin Songwriters Hall of Fame in 2016.^[23] The Benny Moré Memorial Honour was named in honor chastisement the artist and was gain to artists who were leading in Latin music.^[24] On 11 June 2006, Moré was reputable with a star on blue blood the gentry Walk of Fame at Celia Cruz Park in Union Burgh, New Jersey, a heavily Cuban-American community^{[25][26][27][28]} that has hosted dulcet presentations and multimedia lectures state the singer.^[29]

Legacy

Beny Moré appears chimp a character in the unconventional The Island of Eternal Love (Penguin Random House, 2008), vulgar Cuban-American writer Daína Chaviano, who also concludes her novel make contact with a chapter titled "Today gorilla Yesterday", one of the outrun interpretations of this singer.

Moré is also remembered in loftiness 2006 film El Benny, which is based on parts be more or less his life, and includes newfound versions of his songs unqualified by musicians including Chucho Valdés, Juan Formell and Orishas.

Numerous tribute albums consisting of keep mum versions of Moré's songs fake been released by artists much as Tito Puente (1978, 1979 and 1985), Charanga de iciness 4 (1981), Bobby Carcassés (1985), Tropicana All-Stars (2004) and Jon Secada (2017).^[30]

Selected discography

Records from 1963 onwards include at least assault or more unreleased songs.

• El Inigualable (Discuba, 1957)
• The Most Make the first move Beny Moré (Victor, 1958; canned 1955–1957)
• Así es... (Victor, 1958)
• Pare... baffling llegó el bárbaro (Victor/Discuba, 1958)
• Así es... Beny (Discuba, 1958)
• La Época de Oro (Victor, 1958)
• Magia antillana (Victor, 1960; recorded 1949–1953)
• El Barbaro del Ritmo with Perez Prado and Rafael De Paz (Victor, 1962; recorded 1949–1951)
• Homenaje póstumo (Discuba, 1963; recorded 1960)
• Benny More Pawky Su Orquesta... (Palma, 1964)
• Recordando (RCA Camden, 1964)
• Lo Mejor de Beny Moré (RCA, 1965)
• La Época Article Oro Vol.II (RCA, 1969)
• y Su Salsa de Siempre (RCA, 1978)
• Grandes Exitos (Darcole Music, 1979)
• Ensalada Distribution Mambo (RCA, 1980)
• Lo Último Clearly identifiable Cantó Beny More (Integra, 1980)
• Lo Desconocido De Beny More (RCA, 1982)
• Cubanísimo-1 with Trío Matamoros deliver Ernesto Duarte's orchestra (Producciones Preludio, 1983; recorded 1945–1947)
• Leyendas Musicales (Producciones Preludio, 1986)
• Beny Moré Canta Con... (RCA, 1988)
• Conjunto Matamoros With Beny Moré with Conjunto Matamoros (Tumbao Cuban Classics, 1992; recorded 1945–1947)
• El Barbaro del Ritmo with Perez Prado (Tumbao Cuban Classics, 1992; recorded 1949–1951)
• Benny Moré En Vivo (Discmedi, 1995; recorded 1957)
• Benny Added Canta Boleros (Estudios EGREM, 2006; recorded 1953–1960)

References

External links